Wednesday, August 21, 2013

Protip: Making HD Playback Smoother in Multicam

At my old office, we edited everything in 10:1m after a real-time capture because that codec is fucking good at its job.

At my new office, we edit everything in MPEG-4 from the XDCam proxy files, and that codec blows hairy goat sphincter.

In addition, because we deliver in HD, people keep wanting to work in an HD project.  I understand their belief that this matters, but they're wrong.  In fact, yellow/green mode in an SD project is every bit as good as yellow/green mode in an HD one as long as you're talking about multicam 9-split playback.

Which I am.

SO... If your producer or editor is having trouble with a group that's lagging during playback, losing audio sync, or otherwise doing that thing that Avid calls "functioning normally," the solution is often as simple as changing the format of their project from HD to SD.  That does an automatic downconvert on all playback footage, and stops stutter in its tracks.  Erm, starts stutter up again.  No.  Hmm...  Uh, it makes the thing play back smoothly.  Yes.  Even in 9 camera multicam on Avid 5.5.

Tuesday, August 20, 2013

Exception: AUTO_COMP_NO_SYNC

Well kids, I've "upgraded" to Avid 5.5 at my new office, and that means there's a whole host of new issues for me to bitch and moan about.

Chief among them is this bullshit:

Exception:  AUTO_COMP_NO_SYNC

This is what happens when I try to multigroup by doing exactly the same fucking thing that I used to do in Avid 4.0.5.16.  Fucking Avid 5.5 is bullshit.

I guess there are some minor differences here:  I'm working in a 1080/23.976P project.  Okay, so there's one minor difference.  Fucking Avid, of course it goddamn breaks.

Let's start at the beginning (because it's a very good place to start) (and also because I like making Dad Jokes, apparently):  The group I'm making has a lot of pretty basic flaws.  First, it's eight hours long - that's actual media length, not the time spanned by that media.  Second, there's both XD Cam footage and imported GoPro clips.  Third, there's also iso audio.  Fourth, that iso audio is actually three different sources of iso audio.  Fuckin' right!  Normally I'd break this shit up into more manageable chunks, but I'm stepping into a show mid-season (as in, it's actively fucking airing) so there's not really time to explain different things to the team.  We'll stick with making a thing that looks just like the old thing, but works.

Okay, to the Google!

...  Let's try.. "can't multigroup Avid 5.5"

Wow, the whole fucking internet is full of people saying "you can't multigroup in 24P, " and also "waaaaa I'm a baby!"  Fuck you internet.  You're not helping.  Okay, maybe some sort of similar issue will come up if I Goog the error message (you know, like how you got to this page).  Okay, this is more useful.

"Can't multigroup GoPro footage" and "I have a fix for multigrouping GoPro footage."  A fix??  Fuck yes!  Good job, guy on the interwebs, what's your fix?

"Don't use audio."

The fuck you say?  Seriously.  Not using the audio isn't a fucking fix.  That's giving up and going home.  Literally.  You shouldn't have a job.

Does anyone else have something useful here?  No?  Seriously?  Assholes.

Okay, let's search again for just something more generic.  Maybe just "Can't multigroup"  That seems... too generic.  "Can't multigroup 24P" perhaps... Oh.  My.  God.  Okay, this is fucking paydirt.  Many, many props to the author of this excellent blog (and not nearly as full of offensive language, much to my chagrin):  http://rittorno.wordpress.com/  Seriously, everyone should just bookmark this page.  Oh yeah, the specific post I found to help me out?  Here it is.  He literally named it "Avid multigrouping doesn't work 24P Project.  Amazeballs.

Now, it's not exactly specific about the sort of error you get or how this helps, but don't worry, I'm gonna handle that shit right the fuck now.

Open your group bin with the sequence in question.

Then open the original source bins of every single imported clip that is in that sequence.

For each imported clip, you have to modify the source so that there is one, and if one already exists, you have to modify it anyway - just set the new source to be the exact same as the old one.  Running a little test with my GoPro footage... BAM!  I just grouped some motherfucking GoPro footage with audio in fucking Avid 5.5 in a 24P project.  Suck my dick, internet!

Alright, let's do the full group now, including the iso audio.

No timecode found for clip "clipname"

Avid, you mother fucker.

Clicking "more" gets me:

Now where have I seen that error before?

So I know this has to do with setting a source also.  Okay, so what in the seven green shits of Satan is wrong with my sources?  My iso audio is an autosync subclip of a subsequence that's made from three different sources... A ha!  All with different source labels.  Okay, if I modify those sources to all be the same source...

BOOM TO THE MOTHER FUCKING FUCK YEAH AVID BITCH YEAH MOTHER FUCKER!!!

And that's how you multigroup every clip, all your audio, and all your video in a 24P Avid 5.5+ project.

Fuck you Avid, you can't stop me.