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Showing posts from 2021

Avid Behaving Badly #22: Audio Output from Nitris DX is Distorted

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 For the purposes of making this issue easier to search for, I'm going to write a few more sentences here: - Avid Audio too Loud Nitris DX - Avid Output too Loud - Avid Audio Too Hot? - Avid Audio fucking sucks my asshole - Nitris DX audio blown out? - What the Fuck is up with my Audio? - Seriously, What the Fuck, Avid??? That should make it easier for people to find this helpful page where I'm going answer all of life's great mysteries the question as to why Avid sucks fucking asshole (see above). Actually no, I'm not going to answer that. Honestly, who can? At this point, the fact that Avid sucks my fucking asshole is just an immutable fact of existence, like the sky, or the Chargers missing a field goal with two seconds left to lose a game. But you're not here to ponder the Truth of Existence with me. You're here because you audio is way too fucking hot coming out of your powered studio speakers. Fortunately for you, I have a fix for this problem. Near as I

Sony Behaving Badly? - There is no Avid-compatible LUT for Sony's S-Cinetone Camera Settings

 If you work in a professional environment, you're probably used to production DPs insisting on always using the newest, fanciest, most whizz-bang gadgets on the market without ever checking to see if the people they're delivering footage to can actually work with what they're shooting. Usually, the result of this is a few hundred (or thousand) bucks extra cost to post for buying card readers and codecs that aren't pack-ins with Avid. Ahh, but now there's Sony's "new" (it's a couple years old, actually) S-Cinetone camera setting. And it's a motherfucker. First, I appreciate what Sony is trying to do. They're combining color look-up-tables (LUTs) and gamma information into a single setting on their cameras in order to get their digital video to look as rich and deep as film. Kudos, you spectacular assholes. What Sony did not do, and which they absolutely fucking should have done, is produce LUTs for editing suites that are able to work with

Avid Hates You has been Updated to Work on Mobile Devices

 So if it isn't working for you on your phone or tablet or whatever the kids have now please let me know, because I foolishly believe I've got things in a good and stable place. Cheers!