Sony Behaving Badly? - There is no Avid-compatible LUT for Sony's S-Cinetone Camera Settings
If you work in a professional environment, you're probably used to production DPs insisting on always using the newest, fanciest, most whizz-bang gadgets on the market without ever checking to see if the people they're delivering footage to can actually work with what they're shooting. Usually, the result of this is a few hundred (or thousand) bucks extra cost to post for buying card readers and codecs that aren't pack-ins with Avid. Ahh, but now there's Sony's "new" (it's a couple years old, actually) S-Cinetone camera setting. And it's a motherfucker. First, I appreciate what Sony is trying to do. They're combining color look-up-tables (LUTs) and gamma information into a single setting on their cameras in order to get their digital video to look as rich and deep as film. Kudos, you spectacular assholes. What Sony did not do, and which they absolutely fucking should have done, is produce LUTs for editing suites that are able to work with ...